"Je me demande toujours dans quelle mesure les artistes cherchent à représenter la réalité d'une scène. Les peintres et les photographes ne capturent qu'une seule image et rien de ce qui survient avant ou après. Pour "24 Frames", j'ai décidé d'utiliser les photos que j’ai prises ces dernières années, j'y ai ajouté ce que j'ai imaginé avoir eu lieu avant ou après chacun des moments capturés". Abbas Kiarostami

For what would prove to be his final film, Iranian director Abbas Kiarostami (Close‐up) gave himself a challenge: to create a dialogue between his work as a filmmaker and his work as a photographer, bridging the two art forms to which he had dedicated his life. Setting outto reconstruct the moments immediately before and after a photograph is taken, Kiarostami selected twenty‐four still images—most of them stark landscapes inhabited only by foraging birds and other wildlife—and digitally animated each one into its own subtly evolving four‐and‐a‐half‐minute vignette, creating a series of poignant studies in movement, perception, and time that is also a sustained meditation on the process of image making. 24 Frames is a graceful and elegiac farewell from one of the giants of world cinema.

Features:

• 2K digital master, with 5.1 surround DTS‐HD Master Audio soundtrack
• New interview with director Abbas Kiarostami’s son Ahmad Kiarostami, who helped
• finish the film after his father’s death
• New conversation between Iranian film scholar Jamsheed Akrami and film critic
• Godfrey Cheshire
• New short documentary about the making of the film by Abbas Kiarostami collaborator
• Salma Monshizadeh
• Trailer
• PLUS: An essay by film critic Bilge Ebiri